I.
The barista calls me ma’am
because I am makeupless—the pink
of my Polish skin and the South’s
sun spots pocking my cheeks—
and my wide hips are in yoga pants
on a Wednesday, mid-morning.
I easily ask about milk alternatives
because I have learned
the language of passing
for calm and unconcerned
with guns.
II.
I keep signing petitions
online with an email address,
not with the pressure
of my name.
III.
I try to count the women
who’ve shared their prescriptions—
turn off the news. Do not think
outside yourself for a while.
I can hear the echo of fainting
couches and yellow wallpaper.
IV.
All day, all night
the body intervenes.
I keep holding guilt
in my mouth, regardless.
V.
No one wants to be Atlas,
but we all want
the body,
the name.
These lines: “I can hear the echo of fainting / couches and yellow wallpaper.”
This poem, to me, distills a tension between the news cycle and a tension between wanting to opt out. It’s difficult to know how to contribute or to help in one discreet way without taking on the entire world.
Thanks so much, Mary & Andrea! I get a little obsessed with myths & Gilman… and the idea of the “rest cure.”
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These lines: “I can hear the echo of fainting / couches and yellow wallpaper.”
This poem, to me, distills a tension between the news cycle and a tension between wanting to opt out. It’s difficult to know how to contribute or to help in one discreet way without taking on the entire world.
Thanks, Hannah! I love reading your work.
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Indeed and agreed, Mary — and also, a lovely nod to Charlotte Perkins Gilman!
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