Smooth Still
The orange ranunculus
dropped its petals
like a soft feather war—
a dead fire bird,
a phoenix on the ground,
smooth still like the milk
puddles, lining the sink.
They boiled a thing
and it remained,
like homesickness
like depression, like ants
coming in from the rain.
He calls it dor but that’s
not her word to say, it’s his
as she watches the dead
fire bird, always glowing
perhaps overwatered
and burning still
that sweet aching flower
dropped its petals
at the door.
They are home now
all the time, inspecting
spider dust and granular cracks
in tile—she swears it’s
growing, and sobbing,
her during a movie, wishing
everyone: towards home.
Now there are fires
everywhere, again.
Lights on lights off,
winds always at the wrong.
time to wash a body, to burst
memories as soap duds
because they are soft too,
memories like flowers
drooping, one dropped
from her own hands,
another cracked in sun,
one lined the sink like milk
like paint, sticky and calm,
no hint of coagulation.
they blame the rotten
but this evening,
cheese is just the symptom
homesickness the instigator,
the rennet, the afterthought,
the solid, broken open
dirt clod near sunflowers—
summer happened
a long time ago,
ended when the landlord
ripped the sweet peas out.
Now it’s cold and the milk
never became cheese and
there is still no hint
of remembering.
Allie Rigby is a Bay Area poet and educator with roots in the chaparral of southern California. Her writing is published in the Manzano Mountain Review,Cholla Needles, Visitant, Living on Earth Radio, Vita Brevis, Open Ceilings, and more. Her most recent project is The Herd, a monthly literary newsletter aimed at building community and highlighting incredible artists.