What the Snow Covers

is the witnessing grass
pressed down by boot
in joy or fear and
cut by dangerous blades
and neighbor’s gazes.

What the snow uncovers
is the secret parade,
the pawed passage
of shivering midnight
moonlight scavengers.

What the snow covers
is its own white with
further white, soft light
made heavy after its
nomadic fall, the flakes
ache to settle, nestle, wait.

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How Deceptive The Moon

Night air carries superstition, poison’s veil,
cry of hunting owl, unbound mastiff.
Deceit manages the moon.
Dire blaze of comets fall
whips at cries of disembodied voices,
chaos of sordid death by border lies.
My reflection is running water,
an impulse through exile’s grasping past
profound as sin and consecration.
Floating in inertia, admiring
ennui through its idling passage,
I cup my hands to my mouth, rising
in terror, singing for redemption.

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A Frozen Europe

Urban II, post coitus, made enquiries
into the etymology of escutcheon.
He barked instructions towards the Pleiades,
as was his most holy remit,
his casus belli, if you will.

God’s own genetic mandate made flesh.
In gowns of velvety purpurates,
semi-tumesence tenting his muslin cassock.
His slippers velour. Brocade of satin.
The usual finery designating position.
A high seat assigned at privilege’s table.

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Being Young, 21

Being young, 21, is everything
For wisdom does not come with age
Only tired bones and fade
And maturity means accustomed to
The crumbling of a once great temple, you
Invisible now, featureless, faceless
That’s the rub of the wrinkly skinned
Who live in seaside towns, with mothballs twinned
And all this whilst the beautiful people
Run like gazelles, screw like rabbits, have such delicious fun
God, it’s just not fair, though once I was there
In the class of being young, 21

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To Settle the Night

Sky streaks lavender and orange to lowering blue.
Night chill rises, flicking at pants legs, leaf piles,
dampens sidewalk to footstep skate.
Beyond the greasy click of a security gate,
last birds circle to settle on a sleeping roost,
scavengers slink the hedge lines,
eroded wastes of tree root, fence rot.
Phone-nervous, the late-working husband,
lover late with wine and Chinese
hustles towards an unsettled greeting.

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Portrait of Progress Lake by the First Fish from Bragi’s Calf Muscle

The eagle’s knees, they speak to me in legalese
Today. The sun is crying; its cedilla couldn’t be
A mere façade! A rotting moon and decomposing

Stars invented yesterday, its bats and troubles.
Dolly Varden swam through history’s jittery
Arteries to get here. Swans without ressentiment

Sing Dolly Parton songs. The sky is like a queen
Without a nose to every lesser long-nosed bat.
The S&P 500 tries to steal this mental real estate,

Pretending it’s a moral act. I eat their R&D, and
Do it trenchantly, astonishing my food with
Time’s mayoral tact. Now every day’s a crisis,

Sexually attracted to cat urine. Emily Post says
Ours is not a time for overrating first impressions.
I, too, founded the New York Post on images

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Famished

On the menu is barbed wire
sautéed in heartless tyrannies.
The bloodied linens of the Visigoth.
Tongues of the vanquished, broiled,
with a side order of children sobbing.
And salads of inexpressible horrors.

Today’s menu includes bandage soup,
served drawn and quartered.
Knife pie, with a shotgun topping.
Visceral stew and smashed-mouth bread.
And the special, baked heads and hands,
which are, we think, to die for.

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First Memory

The picnic table. My sister’s
vaporous hair. Neighbors
in their unknown clothes.

I’m wild in blue shorts,
striped top. My mom’s
in my sister’s body.

The tenants of the lawn
rumble their tongues
like little engines and tickle

my untouched ankles.
I run the path of planets
around the wild grass

between the grass
between our houses. My
arms make airplanes.

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