To be anywhere in the world
in any weather, to hold a book
like a child does and [moving] moves
from here to the flanks of the Vosges,
stares at a fresco by Piero
or hears an aria float out from a window
on the Coronation Route in Prague.
How fine it is to be us, to be
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on the water, our thoughts as slippery,
as fluid, our moods like gusts [of dopamine]
little zephyrs of enticement,
our happiness rising and setting
with the sun, the bright seal of hope
the dimming lamp of rest.
Because (in part) a disgraced president invented the EPA
Read more "A Thousand Dolphins"
rockfish and croakers have returned to the Chesapeake Bay,
and new life frolics at the mouth of Baltimore’s river.
Beneath the silent bows of sailboats on the Patapsco
rarely seen dolphins ride waves like metallic rainbows,
the silvery curves of their bodies stitching clear skies
to the blueness of gently roiling waters.
Who could imagine such a fantastical outcome?
Luciano Fabro assembles green flies
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and beetles iridescent as death
on armatures of brass.
He calls them sculptures
though they often resemble
shields and helmets
and other objects
useful to primitive pacific tribes
or knights escaped
from medieval armories
and museums of unnatural history.
His scarabs glow with rarified light
and abide in memory:
hidden wings and hardened heads,
smooth coats of black shellac
and pins sequestered from
my inadvertent touch.
At night, they recall themselves to me
unbidden, without conscious desire.