How Deceptive The Moon

Night air carries superstition, poison’s veil,
cry of hunting owl, unbound mastiff.
Deceit manages the moon.
Dire blaze of comets fall
whips at cries of disembodied voices,
chaos of sordid death by border lies.
My reflection is running water,
an impulse through exile’s grasping past
profound as sin and consecration.
Floating in inertia, admiring
ennui through its idling passage,
I cup my hands to my mouth, rising
in terror, singing for redemption.

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I love my dog more than my dad

I love my dog more than my dad
By a distance, not a tad
There I’ve said it, the cardinal sin
Preference for a canine to my next of kin
His big floppy ears, doughy eyes, cold wet nose
Means more to me than my father’s bones
That lay in a grave, I hope at peace
My accidental parent, who came from the East
And whilst my dog showers me with kisses
I remember the drink, the rows, the Christmases
He was never there, never told us he cared
But still I loved this boy soldier, unrecovered man
Though not as much as I love my dog
Sorry dad, I hope you understand

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Ocean City

Ocean City I’m on a fifth-storyhotel balconyat the crack of dawn staring past a row of rental propertiestoward vast waters beyond, as I wonderwhat ghosts lieon the hungover streets below. What sort of jukebox jiveor inebriated highdid that last breeze carry through? It’s a mid-summer den,a damn hotbed,of debauchery and sin on this morning after […]

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Impressions of the Sickhouse

Impressions of the Sickhouse I watch in the world, amused by massacre and gin, homeland walls, holiday wars. Viewed from the barred gate darkened surveillance cars prowl, aimless under winter afternoon skies. Cold weather tramps straggle past construction generators, pavement gaps, work order water leaks. I take into consideration the symbolic and the sin. I […]

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Belgian

Jonathan Simkins lives in Denver, Colorado. He is the co-translator with Úrsula Starke of Creationism (The Lune, forthcoming 2018) by Vicente Huidobro, and the author of the chapbooks This Is The Crucible (The Lune, 2017), and in collaboration with artist Justin Ankenbauer, Translucent Winds (Helikon Gallery & Studios, 2016). His translations of Ernesto Noboa y […]

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