Portrait of Progress Lake by the First Fish from Bragi’s Calf Muscle

The eagle’s knees, they speak to me in legalese
Today. The sun is crying; its cedilla couldn’t be
A mere façade! A rotting moon and decomposing

Stars invented yesterday, its bats and troubles.
Dolly Varden swam through history’s jittery
Arteries to get here. Swans without ressentiment

Sing Dolly Parton songs. The sky is like a queen
Without a nose to every lesser long-nosed bat.
The S&P 500 tries to steal this mental real estate,

Pretending it’s a moral act. I eat their R&D, and
Do it trenchantly, astonishing my food with
Time’s mayoral tact. Now every day’s a crisis,

Sexually attracted to cat urine. Emily Post says
Ours is not a time for overrating first impressions.
I, too, founded the New York Post on images

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Wildling

Comfortable in the cold,
mist tendrils rising
across morning garden,
dew-dampened boots
dry in the rising wind.
Cracking this year’s journal,
I release pleasure to the river.
Behind a dome of December clouds,
the sun struggles.

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Forest Spirit

Many selves,
a raging fire, a sparkling chasm.
viper slithers to its apogee – the sun –
almost succeeds, almost destroys –
I am justified in brevity, breathing
as I, come face to face,
and so it is – angry souls in each other’s bodies –
while August burns treacherously
in the dry grasses.

Boy leaves tracks. Life trudges.
Brooding, endorsing the searing sun,
Can’t close the seed captured here,
die brother…live sister….
no distress or bitterness or revenge –
merely randomness that
divides itself unmercifully

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how clandestine can a day be?

in the morning my hands hold an ocean. a ghost
of a note hanging on a clothesline the air plays

each night. i put it there but i don’t remember. i feel fine at dawn &
a needle weaves its yarn around slick fingers like a travelling sun.

my hands are faster than my feet so they dig a well. i think
in another life i’d have been a slug. pulling against myself always
leaving discard gossamer.

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Last Chance Road

A light rain washes clean the leaves, the green melody of freedom from the city’s nightmares. Time rolls past, fast or slow, no one knows, like the mists that rise up and settle down upon the Smoky Mountains. Days lose their distinctions, their names. Dust, thick and heavy in the sun, embraces the rain like new love refusing to let go and calms the road down, clearing the air, the sky, the pathway love must travel to embrace a new rain.

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Flight

Now all I hear is my own hum so turn again to the window where a broken line of parked cars dots the whitening sidewalk, as the sun englobes the street in crisp detail and vivifies the skeletal oaks that scratch against the sky, implying the chimes of birds about to arrive. I lean against my window, note the dust motes pillowed on the glass like a moleculed yawn, so grab a rag and spot, on the ledge, two piebald pigeons strutting and pulsing back and forth as they peck along the sill in sync.

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August Garden

August Garden Overgrown, ravaged with insects, humming incessant sun, the lot of it buckles, sucks, sags and slumps toward autumn — all bursting, come to fruition, seeking divisions between sex and sex and death — breathing last breaths, heaving its seed toward next season. Stephen Jackson [he/him] lives and writes in the Pacific Northwest. His […]

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Political Harvest 

Political Harvest Toward the east Through back porch screen Clouds are forming their ranks Against the sun A crow’s distant cawing Gives voice to solitude Worn like a thorny cloak And mocks that final promise Hope and lifeline once Now become more lethal Than foreign shrapnel Pines murmured all night In their high, strange tongue […]

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