To be anywhere in the world
in any weather, to hold a book
like a child does and [moving] moves
from here to the flanks of the Vosges,
stares at a fresco by Piero
or hears an aria float out from a window
on the Coronation Route in Prague.
How fine it is to be us, to be
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on the water, our thoughts as slippery,
as fluid, our moods like gusts [of dopamine]
little zephyrs of enticement,
our happiness rising and setting
with the sun, the bright seal of hope
the dimming lamp of rest.
I’ve waited seven days for this dogwood
to unfurl its white cups, to drink the light
it gathers. Other flowers have passed
their season, our path matted
with pink rhodie remnants,
but the dogwood shows off
in open space between cedar
Sun fills each cup as I witness
Read more "The Dogwood in Early June"
from shaded days steeped in protests
heated to burning, to melting,
to truth yelling and tears.
my father and i do not look alike
at first glance, but
we have the same scar on our chins
from falling off our bikes and
leaving a bit of ourselves behind,
red bifurcating again and again in the cement,
so strange to imagine how our skin
closed hastily, unevenly
(easing pain is not the same
Read more "how i cried anyway"
as making smooth again).
Read more "The Woman Lifted Her Water Jar"
sat by the well,
weary and hot,
In her eyes
(if you looked
was a yearning
She was wistful,
with a tiny tear
her fragile face.
I could almost
hear his name
on the winds
of the desert.
Talking in Waves Dispense with the stubborn, cynical pride, evident in even the most casual aside, about which, much has already been said and many tears have been shed, she pleads. Please. What becomes of us gathers, remains and flows from every word and deed. And so, chastened, his tongue abides, cankered from flagrant use […]
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Kaitlyn Gaffney is a north Jersey poet and senior Writing major at Rowan University. She serves as a poetry editor for Glassworks Magazine. Her work is published in Avant Literary Magazine, The Rising Phoenix Review, and forthcoming in Gone Lawn. She has produced two original plays through Rowan. Rest-less She pulls at herself every day, […]
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Carol Smallwood returned to college to take creative writing classes and has founded humane societies. Her 2017 books include: In Hubble’s Shadow (Shanti Arts); Prisms, Particles, and Refractions (Finishing Line Press); Interweavings: Creative Nonfiction (Shanti Arts); Library Outreach to Writers and Poets: Interviews and Case Studies of Cooperation; Gender Issues and the Library: and Case Studies of Innovative Programs […]
Read more "Wallpaper Triolet"