Mir-Yashar is a graduate of Colorado State University’s MFA program in fiction. A recipient of two Honorable Mentions from Glimmer Train, his story, “Soon” was nominated for a Pushcart. Mir-Yashar’s stories are forthcoming or have been published in journals such as Fiction Kitchen Berlin, Johnny America, Silent Auctions, City. River. Tree. and Ariel Chart. Deconstruction […]Read more "Deconstruction"
Kristopher William Locke is a poet and artist born, raised and situated in the Canadian prairies with experience in various mediums including radio, print, web and stage. Readers are invited to join him on the peaks and valleys that exist within, and despite, the flat prairie landscape of his homeland. The result is part of his shared […]Read more "Hello L’Hiver"
David Boyer has been published in Adelaide Literary Magazine, Headway and haiku journals including Frogpond, Modern Haiku, The Heron’s Nest, Bones, is/let, and Roadrunner. If No One Watches something like urgency through October leaves don’t look away reach back the draft in the cool morning when nouns were on your side tell the coffee cup […]Read more "If No One Watches"
Thomas Fucaloro is the author of two books of poetry published by Three Rooms Press, most recently It Starts from the Belly and Blooms. The winner of a performance grant from the Staten Island Council of the Arts and the NYC Department of Cultural Affairs, he has been on five national slam teams. He holds an […]Read more "Using my own light to see allows me to see the world how I want it to be"
P.C. Scheponik has published four collections of poems: Psalms to Padre Pio (National Centre for Padre Pio, INC), A Storm by Any Other Name and Songs the Sea Has Sung in Me (PS Books, a division of Philadelphia Stories), and And the Sun Still Dared to Shine (Mazo Publishers). Most recently, his work has appeared […]Read more "Eleventh Grade English (For Peter Doyle)"
Booze Writing She writes the non-fiction marathon, grabs her metaphysical hangover to record the distillers, blogs recipes for old martinis, notes where mezcal comes from. Serious, full-time writing about booze, barstools and body/mind benders. Codifying as a way to stop her bingeing. Is that how it goes with loneliness? Scrawling about virtuous alone as relief […]Read more "Booze Writing"
Small is huge, Wells Fargo tells us with a Pleasantville main street gloss. It’s tough to admit when a cynical corporate slogan hits the mark, but I can’t think of a better way to describe Portland’s Future Tense Press and its portfolio of literary fire-starters. Run by literary community extraordinaire and Powell’s ambassador Kevin Sampsell, […]Read more "Dreaming Fantastical Stories: Szilvia Molnar"
I remember the first time I attended the Willamette Writers Conference, the blend of idolatry and loathing I felt for the other aspirants. I couldn’t talk to anyone. What if these people were better than me? What if they made it and I failed? The second time I went, I was more ambitious. I reserved […]Read more "Have I Made It?"
Hugo and I will say we’re teaching you to write like us: he’ll tell you to lock up your chorus girls in a silo. He’ll say don’t listen if you don’t want to. I’ll tell you this: Maybe hell isn’t so hot. Maybe Sappho meant for us to find her fragments—all that desire too much […]Read more "To My Poetry Students"
As I prepare to teach my first, full-length college-level fiction writing class, I think back on the writing advice that resonated with me over the years. I remember Mary Oliver’s advice: “Writing is like a date. Nothing happens if you don’t show up.” I remember the Willamette Writers Conference session where I grasped the subtleties […]Read more "Maximum Capacity for the Writer"